4.30.2009

itunes killed the DJ


Remember Napster? I was a sophomore in college and after spending all of my freshman year trying to untap the secrets of scour exchanges a sudden flash of technological ingenuity enters and suddenly everyone has access to a massive library of music for FREE!!!

Within a week I downloaded almost a thousand songs! It was the greatest feeling to have access to any song I ever wanted! I should mention that my musical knowledge before this time was limited to Hip Hop, Freestyle and House. I also knew a lot about Salsa, but I was resistant to liking the music until I took Jazz History. With this said just an idea of the music I had never heard before included Bob Marley, Radiohead, Jimi Hendrix, John Coltrane... you get the point... I didn't know much about music...

So sometime after the frenzy of downloading that began instantly, the schools began to tighten their bandwidth and it wasn't long before a block was placed on Napster. The RIAA stepped in with guns drawn and tried to stop p2p sharing by any means necessary! Even if it meant filing lawsuits against 12 year old kids... What was the world coming to?

So as we all stood back watching the RIAA go ape-shit trying to shut down Napster and the emergence of new p2p sharing sites, a man by the name of Steve Jobs was quietly designing a strategy of his own. While the first ipod was released in 2001 and its success almost instantaneous, everyone was pleased that they could now take all their illegally acquired music and put it on this wonderful portable player!

The itunes store was launched in April 2003, two years after the introduction of the ipod. Coupled with Apple's branding power and the inclusion of the audio app with every single mac sold made this a winning combination. Before you know it mp3's were becoming increasingly more difficult to acquire and the RIAA struck deals with the courts to facilitate rulings in favor of copyright infringement. Mp3's were available on itunes for just 99 cents each, the pricing was decent and brand loyalty united Apple users with a very simple and easy to use music purchasing system.



CD sales continued to slump horrifically and the RIAA continued to cry out bloody murder as mp3 sales went through the roof. 70 million songs were bought off of itunes within the first year of its launch! Consequently mp3 sales have steadily risen exponentially and as of 2009, itunes has sold over 6 billion mp3s!!! Apparently not enough to balance the market, record stores seem to be the only real industry feeling it the most, HMV and Tower Records have gone out of Business and as of May both Virgin Megastore locations in New York will be closed.

With rising mp3 sales and music shops out of the way theres nothing stopping the demand for good quality singles and the music industry will have to stop being lazy on 2/3rds of the albums right? Wishful thinking on my part... During the days of Napster, computer hard drives weren't so big, so the audio files had to be compressed into tiny audio files that could fit on your computer. Mp3s were converted with a quality so low that distortion and poor audio quality became normal sounding nothing like the original recordings on Vinyl or CD.

Apple's itunes provides "CD quality" mp3s at 192kbs (kilobits per second), so all of the music sold on itunes was set at that rate by default. This sample rate is great for listening to your music through your headphones or through a small stereo, but when you have been exposed to poor quality mp3s for the past few years everything still sounded like a step up.

How does this effect most people? Most people don't care, but then again how many people play music through a 2000 watt amplifier? The marvels of technology now allow you to use real turntables to DJ the music right off of your laptop. Great tool... but... I among many others found myself with poor sounding mp3s...

Other sites like beatport.com and turntablelab.com sell higher quality mp3 for DJs that are encoded at 320kbs and higher for a premium price tag, $1.99+ or as a wave file for $2.49+. Spring extra for the larger file! When I import a CD as full sized files data gets converted to 1411kbs! Thats about 4 times the minimum DJ standard of 320kbs! Why does it cost so much to get half-assed audio quality?

Does it stop there? Is an actual CD quality enough for really big sound? There's no question it will do the job in most big clubs, but what about when you really push it? The top choice is vinyl. Amazingly, as technology has advanced, audio quality has gone down... Without a doubt analog records have superior sound.


The best bet to capture the highest quality and preserve memory space would be to use a format called f.l.a.c. (free lossless audio codec).

Unfortunately itunes is NOT compatible. With increasing hard drive space availability (via external drives) it would be advisable to begin archiving full digital files as .wav or .aiff audio files to preserve full quality that was once impossible with smaller hard drives.

One thing is for sure, it hurts that I have invested so much time, money and energy trusting Steve Jobs can deliver quality products it seems that he and the RIAA have the last laugh as I run to the last remaining record shops to repurchase music I already own to provide the sound quality I need to DJ a party...

As cool as Serato is, if you wanna play with big sound, you're going to have to stick to CD's or vinyl. So save a record shop today, go out and buy a CD or record rather than downloading bad quality mp3s. And if you happen to have a crate of records laying around somewhere, shoot me an email, I'm in the market. =)

4.28.2009

Is there a room for Hip Hop in House?

To me its amazing that Diddy is suddenly a House DJ and on the cover of April's Mix Mag with the question; Can House save Hip Hop? WHAT!?!?
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Ok, so while I haven't read the article yet, I am amazed that the question was actually asked... It's rare to find House heads that love Hip Hop or Hip Hop heads that love House, and I'm not talking about the top 40 lovers, the ones who jam out to Madonna remixes and club versions of 50 cent, I'm talking about the hardcore run to the floor and move your head fans of music that can spend days in a music store looking for records, analyzing lyrics or replaying songs at full volume. There seems to be a disconnect with the music of Hip Hop and House that once existed...


My theory is simple and it may be weird or medically inexplicable but here it is;
I noticed one night after hours of dancing and took a moment to sit and breath, I noticed the throbbing sensation of adrenaline pushing through my veins with the same timing as the music. I thought it was just me but I began to experiment, I would go out dancing and notice my heart rate aligning with the tempo of the music. Then I would do it at home, with headphones on, without dancing but with deep breathing.

Research carried out by scientists at John Moores University in Liverpool (UK) in 2007, reported in the Int J Sports Med 2007;24, came up with with the following formula for predicting maximum heart rates in both endurance and anaerobically trained athletes:
  • Male athletes - MHR = 202 - (0.55 x age)
  • Female athletes - MHR = 216 - (1.09 x age)
http://www.brianmac.co.uk/maxhr.htm

202 - (.55*28) = 186 (My maximum heart rate)

Considering my less than par condition of being an athlete, a poor diet due to a lack of access to healthy foods (Thanks Bloomberg), and my lack of motivation for exercise, I would knock off a good chunk off that number, but even still a House BPM of 128 would fall well within a healthy dosage of heart elevation regardless of my age. If House can give you a nice dosage of pure adrenaline then it makes perfect sense to me why the music is loved by people who also love to dance. Maybe this is a stretch, but it makes sense to me...


On the contrary you have Hip Hop heads who don't love House. My girlfriend for instance is a Hip Hop scholar and will one day earn the first Hip Hop Doctorate in history. We constantly debate over music and she cringes when I play House in my car (Although she doesn't cringe when I'm DJing, which proves that love is not only Blind, it's also Deaf!). Her beef with House is the lack of lyrical content and flow that is unique to Hip Hop. She enjoys music with an all inclusive emotional process to the words and not just cheesy club lyrics of joy and happiness all the time... (Not always, but overwhelmingly overplayed...)

So I guess at some point between Wepa Man and Wu Tang the two genre's made a split... One genre appealing to those into rhythms and dancing, the other genre left for those craving witty lyrics and lounges... Maybe it was the drinking problem that tore them apart...


So how did Hip Hop and House find each other again? After so many years of separation can Hip Hop and House reconcile its differences? Or was there ever a divorce? This single released in 2000 by Armand van Heldon featured a well known Hip Hopper. Proof that the love affair was still alive!


So why is Diddy turning to House music after all these years?
Could it be the success of Kanye's syntho pop electro charged Chicago auto(out of)tuned House album that caught his eye?
Perhaps he's just following Timbaland's model to go overseas and steal music thats hot in the UK...
And what's with MixMag's question?

Perhaps the Federal Bailout plan should include a forced merger of Hip Hop and House to save the industry... or maybe this is an episode of celebrity matchmaker...


I grew up surrounded by Boogie Down music and between the Jungle Brothers, Rob Base & E-Z Rock, Afrika Bambaataa, Das Efx, TKA, Louie Vega and Big Daddy Kane, I couldn't identify the difference or isolate specific genres, to me it was all one.


Now I understand the differences and I am a bit disappointed that the fusion of House and Hip Hop is being perceived as something new and innovative... It's not... Even 50 cent has done a House remix... (not worth mentioning...) And music distributor Beatport has renamed the genre to House Hop even though the genre was once labeled Rap House... But regardless I'm glad that people are growing interested in fusing the two once again! I just hope that the Hip Hop game doesn't wear out its partnership too quickly this time...


Here's an interesting documentary on Hip Hop/House that I found dating back to 1989!


"Don't call it Club Rap, call it Rap House."

4.23.2009

Boogie Down House: The Movement

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Boogie Down House is a tribute to all the legendary parties that birthed a culture and gave the Bronx its name... The Boogie Down Bronx.

My name is DJ ENS and tonight I will be serving you up some House, please enjoy!

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Peace & Bass

DJ ENS



Boogie Down House Mix - DJ ENS

Boogie House Playlist
mixed by DJ ENS

1 Back one - Dario Nunez & DJ Dano
2 Illin n fillin it - Armand Van Helden
3 Shake it - Toddia T & Herve Ft Serocee
4 Git cho house on children - Chocolate Puma Rmx
5 California love - Deadmou5 (Zoltan Kontes Rmx)
6 Direct connection - Sean Biddle ft. Krukid (Paul Anthony Rmx)
7 Saturdays - Native Tongues vs Cut Copy
8 What does it mean - Heartache & Cujo (Don Diable Rmx)
9 PRTY - Right Hand Barber
10 Say it - Double Depths
11 Mueve su pelo - Juan Magan & Marcos Rodriguez
12 Free my soul - Jayson Miro & d'Arezzo
13 Ritmo do meu flow - Rusty & Overule (Mastiksoul Smash Mix)
14 Down down down - No Tone ft. Inusa Dawuda (Al Bizzare Mix)
15 Latino amador - DJ Slash Rmx
16 Let the music play - Shannon (Simply Jeff & Swedish Egil Rmx)
17 White lines - iamxl Mix
18 Aerodynamic Obama - Daft Punk (Adam Freeland Btlg)